Pioneering Japanese composer and synthesizer expert Isao Tomita bridged the gap between note-by-note classical/electronic LPs like Switched-On Bach and the more futuristic, user-friendly interfaces developed in the 1970s. After creating one of the first personal recording studios with an array of top synthesizer gear in the early '70s, Tomita applied his visions for space-age synthesizer music to his favorite modern composers -- Claude Debussy, Igor Stravinsky, Maurice Ravel -- though his recordings steered a course far beyond the sterile academics of Wendy Carlos and other synthesists. Born in Tokyo in 1932, Tomita grew up in China as well as Japan, studying composition and music theory as well as art history at Keio University. After graduation in 1955, Tomita began composing film, television and theater music. He was awarded frequently during the 1950s and '60s, and became perhaps the most well-known contemporary Japanese composer.